《寂境》
創世之初,神賜予光和眼睛,於是我們知曉何謂真實。當代,人類製造高超的顯示科技,模仿神的創造,使慾望更加逼真。
1931年,郭雪湖在京都南禪寺創作《寂境》,單單以墨色與畫紙,就能呈現只屬於光與林間枝椏的無聲之境。此次作品渴望拋棄再現的迷思,與觀眾一同寂去內心紛亂,感受創作的一念之光如何在虛無與空白當中,逐漸成形。
The
At the dawn of creation, God granted light and vision, allowing us to perceive reality. In the
modern era, humanity creates advanced display technologies, imitating divine creation to fulfill our
desires with greater realism. In 1931,Kuo Hsueh-Hu's Solitude at Kyoto's Nanzen-ji captured a
silent, ethereal landscape of light and forest branches, using only ink and paper. This work seeks
to abandon the obsession with representation, inviting viewers to quiet inner turmoil and sense the
spark of creation as it takes form amid void and emptiness.